In my mind, Vine is primarily visual. But, how can text, audio, and sound be included?
Sound and Audio:
You might be like me, and just accept ambient audio. In some instances, there is nothing you can do. Often, talking just becomes noise, particularly in stop motion compromised of many shots.
Sound, such as waves on the beach, can add ambiance to your video. If you want to embrace sound, consider using longer frames.
But, if you want to add sound to a narrative, touch the screen before the sound starts and wait until after the sound ends to let go. This might seem obvious, but I find myself always having to do this consciously.
If you aren’t the audio provider, make sure to provide your talent clear expectations and cues. And, accept that you might need to make many videos that you will throw away.
Text is challenging. People read at different speeds. Often 6 seconds is shorter than the time it takes to make sense of text. I haven’t found a good way to include huge volumes of text. One short word can be easy to start or end a frame. Even then, it is often useful to pair this with audio.
My vines can be found here.
I have written a series of short posts about Vine. Enjoy:
Vine Video for Museums: Post 1
How can Museum Educators use Vine?
The Right Audience for Vine
Fostering Participation in Vines
Vine to Share the Museum Experience
Narrative in Vine
Looking at Art through Vine
Vine on Your Own
Vine Interface—An Orientation
Vine and Audio
Stop Motion Tips
I produced these posts as notes in preparation for co-writing this paper for Museums and the Web 2014, with Alli Burness, @Alli_Burnie; Patty Edmonson, @Retrograde_D; and Chad Weinard, @caw_
Our presentation Vine feed is here.
Our workshop in April, 2014 sparked some good conversation, see the Storify.
Many of our participants made some wonderful Vines, check these out.