17 May

Recognizing Bias in Interpretation and Content

 

Being culturally situated is a state nothing can avoid, collection objects included.  Collection objects, even natural history specimens, are mediated by creators, curators, educators, amongst others. A dinosaur bone is excavated by a person, identified by a person, and reclassified by a person. The human existence, in other words, flavors the essence of every collection object.

The first step in recognizing bias is to accept that all aspects of museum work have inherent biases. There are many clear points of bias (above). Ignoring bias does not make these issues disappear; in fact, avoidance usually exacerbates and multiplies bias. Acquisitions are the often the result of inherent in-group bias when the academic interests nominate certain white, male artists as exemplary skewing the whole collection/ cannon. Databases seem cut and dry but are rife with potential biases.  For each category that has controlled vocabulary, a decision has been made. Databases that articulate male and female as the only choices for gender are excluding other genders. Interpretation is the front-facing function that needs to think particularly critically about bias.

 

 

Interpretation is like the end of the long line from the origin of the object to the visitor.  Interpretation is also the point where bias is particularly obvious. Content creation, ideally, starts with finding bridges between objects and visitors. There are many tools to form this bridge, from social media to catalog essays.  While each tool has a different reach and needs a different approach, in each instance the content creator chooses facets about the collection object to foreground. This choice-point is when many stories are edited out. When making this choice, however, thought is rarely given about who is being edited out and why.

How can bias be improved?

  1. Understand that all aspects of museum work have bias. Without accepting and understanding this, museum staff cannot address bias.
  2. In each area, reconsider conventional wisdom, long-held beliefs, and givens. Ask yourself “why” processes exists as they do.
  3. Seek help from others. Jaclyn Roessel gave a wonderful talk about her work about Indigenization of interpretation and process at #AAM2018, and this is a great example of how changing the balance of power can ameliorate biased systems.
  4. Invest time, energy, and trust. Museums are colonial institutions. Lip-service or surface bias treatment will not reform the foundations into equitable institutions. People need to go all in to make true change.
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